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Jesus Christ Superstar standing: how we found the experience and what you need to know -plain dark clothes, comfy shoes, wear a watch
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Sponsored post: exploring Seat Plan’s new search tool
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Interview: Amy Clarke on Mammy’s House, a story of Irish LGBTQ+ chosen family in London during the AIDS crisis.
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Camden Fringe Interview: Jaspar Albright and Danny Galvez talk about the musical and community inspirations behind Fools were meant to Sing
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Camden Fringe Interview: Isabel Quiroz on Cherry Sour and being inspired by the people from her childhood
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Interview: Jordan Li-Smith and Ayesha Patel discuss their expanded Disney Parks comedy Rope Drop ahead of its Other Palace run.
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Camden Fringe interview: Scott Robinson talks Edgar A. Poe’s Last Call, his solo show imagining Poe’s final hour
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Camden Fringe Interview: Lauren Derry on her playwriting debut, Romany identity, family estrangement and finding comedy in grief.
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News: Broadway’s John Cardoza performs the end-credit song for new London musical film Moment by Moment, premiering at Genesis Cinema this October.
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News: Arches Lane Theatre faces closure after Battersea Power Station terminates its lease to install a commercial hospitality operator.
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Camden Fringe Interview: Eva Voss on Barely Human, her post-prison cabaret of symbolic crime, dark comedy and reclaimed feminine rage.
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Camden Fringe Interview: Harry Petty on Wrap Party, a fast comedy about two best mates, a catering van and one dubious audition offer.
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Camden Fringe interview: Isabel Quiroz on Xquenda, her Zapotec-language solo show about femicide, poetry and justice, ahead of its Cockpit premiere
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Camden Fringe Interview: Sydney Page and Sierra Philbert on their satirical musical Cold Maple Cloth, and turning career doubt into comedy.
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Camden Fringe Interview: Cellar Door Theatre Company on staging Stephen Belber’s TAPE, a one-hour drama of memory, truth and betrayal.
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Camden Fringe 2026 round-up: Red Bus Londinium’s picks for new writing, solo shows, comedy, music and drama across this year’s festival.
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Camden Fringe interview: Yijing Zou on rewriting Bathroom since moving to London, body scrub as blood and love, and refusing to judge her characters.
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Camden Fringe interview: Playwright Dongmeng Chen on watching war as spectators, black comedy and her all-ESEA team’s premiere, Chicken Dropping.