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Camden Fringe Interview: Eva Voss on Barely Human, her post-prison cabaret of symbolic crime, dark comedy and reclaimed feminine rage.
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Camden Fringe Interview: Harry Petty on Wrap Party, a fast comedy about two best mates, a catering van and one dubious audition offer.
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Camden Fringe interview: Isabel Quiroz on Xquenda, her Zapotec-language solo show about femicide, poetry and justice, ahead of its Cockpit premiere
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Camden Fringe Interview: Sydney Page and Sierra Philbert on their satirical musical Cold Maple Cloth, and turning career doubt into comedy.
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Camden Fringe Interview: Cellar Door Theatre Company on staging Stephen Belber’s TAPE, a one-hour drama of memory, truth and betrayal.
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Camden Fringe 2026 round-up: Red Bus Londinium’s picks for new writing, solo shows, comedy, music and drama across this year’s festival.
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Camden Fringe interview: Yijing Zou on rewriting Bathroom since moving to London, body scrub as blood and love, and refusing to judge her characters.
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Camden Fringe interview: Playwright Dongmeng Chen on watching war as spectators, black comedy and her all-ESEA team’s premiere, Chicken Dropping.
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Camden Fringe interview: Actor and musician Steve North on Brexit, punk and the daughter who inspired his new solo show
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Camden Fringe Interview: Arabella Jacobson discusses Gammelstad, her new play about chosen family and sibling bonds set in a remote Swedish church town.
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Camden Fringe interview: Kimberley Nixon talks Baby Brain, her dark comedy about postpartum psychosis, ahead of its Camden Fringe run at the Bridewell Theatre.
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Camden Fringe interview: Neil O’Dwyer on banking, tailoring and teaching ahead of Banker Tailor Teacher Guy at the Water Rats
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Camden Fringe interview: Ciarlene Coleman discusses her solo show Your Favo(u)rite American Woman, exploring identity, migration and the colonial mindset through comedy and music.
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Camden Fringe interview: Oblique Theatre’s Faith McNeill and Saskia Monteiro discuss their immersive all-female Wild West show
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Camden Fringe interview: Nia Gwynne and Dictynna Hood discuss their new one-woman show Titania, reimagining Shakespeare’s fairy queen four centuries on, ahead of its August run.
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Camden Fringe interview: Louis Linsey on Hathaleen, a satirical black comedy rooted in the West Bank and Awdah Hathaleen’s murder.
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Camden Fringe interview: Four Face Theatre on Mates, a meta-comedy about four friends trying, and failing, to make a play.
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Camden Fringe interview: Kaleidoscope Collective Arts on food poverty, working-class access to theatre, and their Hackney Foodbank partnership.