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Camden Fringe review: an accomplished debut by Aside Hustle using the words of Elizabeth Barrett and Robert Browning to tell their story
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Camden Fringe Review: In Chicken Dropping, writer Dongmeng Chen uses chickens and eggs to expose wider questions about how we respond to war
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Camden Fringe review: Ciarlene Coleman’s second solo show, Your Favo(u)rite American Woman capably tells a personal story and opens a wider lens on Western attitudes towards the Philippines
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Camden Fringe review: Mates is a fiercely well-constructed and agile comedy. Over an hour of mayhem and chaos, we really come to care.
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Review: How the Other half Loves at the Old Vic is a spritely, well-choreographed suburban comedy
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Camden Fringe review: Love vs Fear and My Mother’s Prayers blends computer games into the story of 20-something Kike and her search for love
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Camden Fringe Review: In a seedy hotel room, Tape asks deep questions about what is truth when we all remember things differently.
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Camden Fringe Review, Wilder! Mean Girls for the middle classes as murder and mayhem pile up.
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Review: Opera Kipling bring a swinging sixties Barber of Seville to Camden Fringe, strongly sung and a real treat up close.
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Review: Guildford Shakespeare Company and the Orange Tree stitch Love’s Labour’s Lost to Much Ado About Nothing in a joyful open-air double bill.
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Review: Republic of Silence movingly brings the story of Ireland’s mother and baby homes to life across two timelines
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Review: Florian Zeller’s Olivier-nominated comedy about lies and deception delights with impeccable comic timing at the Apollo Theatre.
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Review: Sarah Kane’s brutal Cleansed returns to the Almeida in a demanding, unflinching production directed by Rebecca Frecknal, not for the faint-hearted.
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Camden Fringe Review: This App is a haunted house, a horror-comedy about dating apps and slasher tropes, funny but not quite holding together as a whole show.
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Camden Fringe Review: Bathroom, a Mandarin-language two-hander on love, migration and racism, and feelings that only come out in the shower
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Review: Matthew Bourne’s sizzling ballet noir, The Car Man, turns Bizet’s Carmen into a dark, sensual, and unforgettable stage thriller.
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Review: Dark of the Moon at Charing Cross Theatre, a UK premiere blending bluegrass and rock with mixed results
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Camden Fringe Review: Queer time-travelling pirates, real history and climate grief collide in Asian Pirate Musical, an ambitious musical seven years in the making.
If you have suggestions or would like me to review something, please email contact@redbuslondinium.uk