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Review: Electra/Persona at the National Theatre is a showcase of its two stars’ talent, but does not sufficiently justify the union of the two pieces.
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Review: The Pass at the new and intimate Pearly Queen Theatre immerses audiences in footballer Jason’s emotional journey, exploring sexuality and isolation.
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Review: Currently at Sadler’s Wells, sixty-eight years old and Alvin Ailey’s Amercian Dance Theatre still feels relevant and fresh. Revelations proving a transcendent centrepiece.
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Review: Linnea Berthelsen is fiercely brave in Darkling, a devastating Bhopal disaster one-woman play by Titas Halder at Bush Theatre.
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Review: The Yard Theatre production is a welcome opportunity to see Ntozake Shange’s seminal For Colored Girls who have considered suicide / when the rainbow is enuf
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Review: Tartuffe (Remixed) modernises Molière’s play, exploring faith and manipulation in a Nigerian/ Jamaican family context and showcasing talented new actors from the Intermission charity.
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Review: The Tempest on the Golden Hinde (part of the Totally Thames Festival) is a genuine celebration of the boat, the area and Shakespeare.
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Review: Death Note at the Barbican is visually stunning but has lost some of the nuance and cultural specificity of the anime original
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Review: Cats at the Open Air Theatre is a piece of whimsical, light-hearted fun with a fiercely feline but also immensely vigorous ensemble
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Camden Fringe review: an accomplished debut by Aside Hustle using the words of Elizabeth Barrett and Robert Browning to tell their story
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Camden Fringe Review: In Chicken Dropping, writer Dongmeng Chen uses chickens and eggs to expose wider questions about how we respond to war
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Camden Fringe review: Ciarlene Coleman’s second solo show, Your Favo(u)rite American Woman capably tells a personal story and opens a wider lens on Western attitudes towards the Philippines
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Camden Fringe review: Mates is a fiercely well-constructed and agile comedy. Over an hour of mayhem and chaos, we really come to care.
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Review: How the Other half Loves at the Old Vic is a spritely, well-choreographed suburban comedy
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Camden Fringe review: Love vs Fear and My Mother’s Prayers blends computer games into the story of 20-something Kike and her search for love
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Camden Fringe Review: In a seedy hotel room, Tape asks deep questions about what is truth when we all remember things differently.
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Camden Fringe Review, Wilder! Mean Girls for the middle classes as murder and mayhem pile up.
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Review: Opera Kipling bring a swinging sixties Barber of Seville to Camden Fringe, strongly sung and a real treat up close.
If you have suggestions or would like me to review something, please email contact@redbuslondinium.uk