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Review: Cats at the Open Air Theatre is a piece of whimsical, light-hearted fun with a fiercely feline but also immensely vigorous ensemble
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Camden Fringe review: an accomplished debut by Aside Hustle using the words of Elizabeth Barrett and Robert Browning to tell their story
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Camden Fringe Review: In Chicken Dropping, writer Dongmeng Chen uses chickens and eggs to expose wider questions about how we respond to war
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Camden Fringe review: Ciarlene Coleman’s second solo show, Your Favo(u)rite American Woman capably tells a personal story and opens a wider lens on Western attitudes towards the Philippines
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Camden Fringe review: Mates is a fiercely well-constructed and agile comedy. Over an hour of mayhem and chaos, we really come to care.
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Review: How the Other half Loves at the Old Vic is a spritely, well-choreographed suburban comedy
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Camden Fringe review: Love vs Fear and My Mother’s Prayers blends computer games into the story of 20-something Kike and her search for love
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Camden Fringe Review: In a seedy hotel room, Tape asks deep questions about what is truth when we all remember things differently.
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Camden Fringe Review, Wilder! Mean Girls for the middle classes as murder and mayhem pile up.
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Review: Opera Kipling bring a swinging sixties Barber of Seville to Camden Fringe, strongly sung and a real treat up close.
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Review: Guildford Shakespeare Company and the Orange Tree stitch Love’s Labour’s Lost to Much Ado About Nothing in a joyful open-air double bill.
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Review: Republic of Silence movingly brings the story of Ireland’s mother and baby homes to life across two timelines
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Review: Florian Zeller’s Olivier-nominated comedy about lies and deception delights with impeccable comic timing at the Apollo Theatre.
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Review: Sarah Kane’s brutal Cleansed returns to the Almeida in a demanding, unflinching production directed by Rebecca Frecknal, not for the faint-hearted.
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Camden Fringe Review: This App is a haunted house, a horror-comedy about dating apps and slasher tropes, funny but not quite holding together as a whole show.
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Camden Fringe Review: Bathroom, a Mandarin-language two-hander on love, migration and racism, and feelings that only come out in the shower
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Review: Matthew Bourne’s sizzling ballet noir, The Car Man, turns Bizet’s Carmen into a dark, sensual, and unforgettable stage thriller.
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Review: Dark of the Moon at Charing Cross Theatre, a UK premiere blending bluegrass and rock with mixed results
If you have suggestions or would like me to review something, please email contact@redbuslondinium.uk