Welcome to Red Bus Londinium, celebrating the wonderful diversity of London’s theatre scene from the intimacy of a pub theatre to the extravagance of the West End. You will also find ideas on how to afford the theatre, so it can be enjoyed by all.
- Kinky Boots, London Coliseum ★★★½
Review: Kinky Boots at the London Coliseum dazzles visually but struggles with storytelling clarity, particularly for newcomers unfamiliar with the plot.
- Asian Pirate Musical: six years of queer time-travelling pirates
Interview: Zhui Ning Chang and Jade Leamcharaskul discuss six years developing Asian Pirate Musical, queering pirate history and pushing back against orientalist musical theatre traditions.
- Review: Relics, Lyric Hammersmith ★★★★
Review: Relics, Ben Ockrent’s black comedy puts four siblings in a room, dividing up their late mother’s things, no parent left to arbitrate. Grieving siblings are a volatile combination.
- Tartuffe (Remixed): Mark Rylance at Marylebone Theatre
News: Mark Rylance stars in Tartuffe (Remixed) at Marylebone Theatre this September, directed by Darren Raymond of Intermission Youth, with several Intermission Ensemble graduates in the cast. Over 2,250 tickets £30 or under.
- Review: Rayuela: Compañía Marco Flores, Sadler’s Wells East ★★★★
Review: Manuel Flores’ “Rayuela” combines traditional and contemporary flamenco and finishes out the Sadler’s Wells flamenco festival
- Review: Lost the Plot, Omnibus Theatre, Clapham ★★★★
Review: Every performance of Lost the Plot is completely different. One audience suggestion, no script, no score, and a brand new musical created on the spot. Great fun.
- Interview: Hersh Dagmarr on Minogueus Sanctus, his all-Kylie cabaret
Interview: Fandom as faith. Kylie through a Weimar lens. Hersh Dagmarr brings his all-Kylie cabaret Minogueus Sanctus to the Crazy Coqs, opening London Pride weekend
- Review: Monarchs Anonymous, The Other Palace ★★½
Review: Sending up history’s most powerful rulers is a British art form. Monarchs Anonymous does this through group therapy
- Review: Barnum, Richmond Theatre ★★★½
Review: Barnum, Richmond Theatre – a joyous night at the circus, with not quite enough to story to carry it through
- Review: Driftwood, Kiln Theatre ★★★
Review: Martina Laird’s debut play Driftwood at Kiln Theatre – rum, secrets and survival.
- Love letter to South London: Tia-Renee Mullings’s A to B comes to Soho Theatre
Interview: Sheyi Cole and Zakiyyah Deen talk about Tia-Renee Mullings’s debut play A to B: a Black British love story in the heart of Soho
- Review: Hot Pot, Playhouse East ★★★★
Review: Hot Pot, twenty years on, four friends, one pot, and an examination of where our choices lead us
- Review: Glengarry Glen Ross, Old Vic ★★★
Review: Glengarry Glen Ross at the Old Vic features an all-female cast in Mamet’s Pulitzer Prize-winning play, directed by Patrick Marber
- Jersey Boys: Carlo Boumouglbay on Tommy DeVito and the 20th Anniversary Tour
Interview: Carlo Boumouglbay discusses playing Tommy DeVito in Jersey Boys, the 20th anniversary UK tour, and why the Four Seasons story still resonates
- Review: Shantify, Underbelly Boulevard, Soho ★★★½
Review; Shantify, a nautical Choir of Man. Feel-good theatre that knows exactly what it is.