RED BUS LONDINIUM

Welcome to Red Bus Londinium, celebrating the wonderful diversity of London’s theatre scene from the intimacy of a pub theatre to the extravagance of the West End. You will also find ideas on how to afford the theatre, so it can be enjoyed by all.

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  Camden Fringe: Eva Voss on Barely Human
  Camden Fringe Interview: Eva Voss on Barely Human, her post-prison cabaret of symbolic crime, dark comedy and reclaimed feminine rage.
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  Camden Fringe: Harry Petty on Wrap Party
  Camden Fringe Interview: Harry Petty on Wrap Party, a fast comedy about two best mates, a catering van and one dubious audition offer.
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  Camden Fringe Review: This App Is a Haunted House ★★½
  Camden Fringe Review: This App is a haunted house, a horror-comedy about dating apps and slasher tropes, funny but not quite holding together as a whole show.
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  Camden Fringe Review: Bathroom, Etcetera Theatre ★★★½
  Camden Fringe Review: Bathroom, a Mandarin-language two-hander on love, migration and racism, and feelings that only come out in the shower
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  Camden Fringe: Isabel Quiroz on Xquenda
  Camden Fringe interview: Isabel Quiroz on Xquenda, her Zapotec-language solo show about femicide, poetry and justice, ahead of its Cockpit premiere
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  Camden Fringe Interview: Cold Maple Cloth
  Camden Fringe Interview: Sydney Page and Sierra Philbert on their satirical musical Cold Maple Cloth, and turning career doubt into comedy.
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  Camden Fringe Interview: Cellar Door on TAPE
  Camden Fringe Interview: Cellar Door Theatre Company on staging Stephen Belber’s TAPE, a one-hour drama of memory, truth and betrayal.
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  Review: Matthew Bourne’s The Car Man, Sadler’s Wells ★★★★★
  Review: Matthew Bourne’s sizzling ballet noir, The Car Man, turns Bizet’s Carmen into a dark, sensual, and unforgettable stage thriller.
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  Review: Dark of the Moon, Charing Cross Theatre ★★★
  Review: Dark of the Moon at Charing Cross Theatre, a UK premiere blending bluegrass and rock with mixed results
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  Camden Fringe Review: Asian Pirate Musical, Upstairs at the Gatehouse ★★★½
  Camden Fringe Review: Queer time-travelling pirates, real history and climate grief collide in Asian Pirate Musical, an ambitious musical seven years in the making.
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  Camden Fringe 2026: On The Red Bus Radar
  Camden Fringe 2026 round-up: Red Bus Londinium’s picks for new writing, solo shows, comedy, music and drama across this year’s festival.
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  Camden Fringe: Yijing Zou on Bathroom
  Camden Fringe interview: Yijing Zou on rewriting Bathroom since moving to London, body scrub as blood and love, and refusing to judge her characters.
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  Camden Fringe: Dongmeng Chen on Chicken Dropping
  Camden Fringe interview: Playwright Dongmeng Chen on watching war as spectators, black comedy and her all-ESEA team’s premiere, Chicken Dropping.
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  Camden Fringe: Steve North on Something About England
  Camden Fringe interview: Actor and musician Steve North on Brexit, punk and the daughter who inspired his new solo show
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  Review: The Importance of Being Oscar, Park Theatre ★★★★
  Review: The Importance of Being Oscar is a solo biographical play at Park Theatre exploring Oscar Wilde’s trial, imprisonment and legacy.