RED BUS LONDINIUM REVIEWS
Welcome to Red Bus Londinium reviews, celebrating the wonderful diversity of London’s theatre scene from the intimacy of a pub theatre to the extravagance of the West End. You will also find ideas on how to afford the theatre, so it can be enjoyed by all.
- Review: Squidge, Riverside Studios ****
Review; Tiggy Bayley’s play Squidge powerfully highlights the vital role of teaching assistants in the UK education system, urging recognition and appreciation. - Review: Summer Folk, National Theatre **** ½
Review: Robert Hastie’s production of Gorky’s Summerfolk at the National Theatre revitalises its themes of privilege and disillusionment, resonating powerfully today. - Review: Ancient Grease, The VAULTS ***
Review: Ancient Grease at The Vaults cleverly merges classic American high school dynamics with Greek mythology, though its overly-bawdy script and lengthy runtime may undermine its energetic charm for some audiences. - Review: Mythos: Ragnarök, Alexandra Palace ****
Review: Mythos: Ragnarök at Alexandra Palace fuses Norse mythology and professional wrestling, captivating audiences with its energetic performances and emotional depth. - Review: Children of the Night, Southwark Playhouse ****
Review: Children of the Night is a vibrant, intimate exploration of 90s Doncaster, blending personal stories with communal resilience and nostalgia. - Review: Iron Fantasy, Soho Theatre ***1/2
Review: Iron Fantasy at Soho Theatre humorously explores female strength through whimsical performances, showcasing resilience and vulnerability amidst a critique of gym culture. - Review: Russell Maliphant Dance Company Landscapes, Sadlers Wells East ****
Review: Russell Maliphant’s “Landscapes” at Sadler’s Wells East features compelling solos like “AfterLight” and “Two,” blending masterful movement, light, and music. - Review: Tanztheater Wuppertal Pina Bausch “Sweet Mambo”, Sadlers Wells *****
Review: Pina Bausch’s Sweet Mambo premieres at Sadler’s Wells, blending dance, theatre, and emotional depth in captivating vignettes. This masterpiece invites audiences to engage with profound human experiences, showcasing Bausch’s enduring influence. - Review: Spin Cycles , Camden People’s Theatre****
Review: Spin Cycles is a poignant, humorous one-woman show exploring grief and wellness culture, resonating deeply with communal experiences and personal trauma. - Review: Maggots, Bush Theatre ****
Review: Maggots at the Bush Theatre explores the hidden human cost of urban neglect, revealing the fragile connections between community and storytelling in contemporary society. - Review: BIGRE / “Fish Bowl”, Sadlers Wells ****
Review: Bigre “FishBowl” at Sadlers Wells offers intelligent physical comedy and sharp social satire, capturing relatable awkwardness through clever characters and intricate scenography. - Review: Friends! the Parody Musical, New Wimbledon Theatre, ***
Review: FRIENDS! The Musical Parody entertains loyal fans with nostalgia but falters in satire, remaining a fun night for dedicated viewers. - Review: Ebony Scrooge, Sadlers Wells East ****
Review: With Ebony Scrooge, Sadler’s Wells East debuts a vibrant Caribbean-inspired reimagining of A Christmas Carol, blending hip-hop with contemporary theatre. - Review: Sunny Afternoon, (on tour), New Wimbledon Theatre, ***
Review: Sunny Afternoon at New Wimbledon Theatre celebrates the Kinks’ legacy, blending captivating music with the band’s complex story for an engaging experience. - Review: After Sunday, Bush Theatre ****
Review: After Sunday at the Bush Theatre explores the intersection of Caribbean identity and a failing psychological care system, highlighting trauma, resilience, and human connection.
Red Bus Londinium Life 