-
Review: Manuel Flores’ “Rayuela” combines traditional and contemporary flamenco and finishes out the Sadler’s Wells flamenco festival
-
Review: Every performance of Lost the Plot is completely different. One audience suggestion, no script, no score, and a brand new musical created on the spot. Great fun.
-
Review: Sending up history’s most powerful rulers is a British art form. Monarchs Anonymous does this through group therapy
-
Review: Barnum, Richmond Theatre – a joyous night at the circus, with not quite enough to story to carry it through
-
Review: Martina Laird’s debut play Driftwood at Kiln Theatre – rum, secrets and survival.
-
Review: Hot Pot, twenty years on, four friends, one pot, and an examination of where our choices lead us
-
Review: Glengarry Glen Ross at the Old Vic features an all-female cast in Mamet’s Pulitzer Prize-winning play, directed by Patrick Marber
-
Review; Shantify, a nautical Choir of Man. Feel-good theatre that knows exactly what it is.
-
Review: Before I’m Dead at The Glitch is funny, fiercely human and dignified – a moving story in an intimate space
-
Review: Mass at the Donmar asks can you love a child who did something unforgivable? Four parents, one room, no interval, no easy answers.
-
Review: The Boy Who Harnessed the Wind captivates with ingenuity and community spirit, showcasing William Kamkwamba’s inspiring journey from adversity to hope.
-
Review: The Shawshank Redemption’s stage adaptation: Ben Onwukwe impresses and the penitentiary set is strong
-
Review: Waleed Akhtar’s “The P Word” lovingly and illuminatingly explores the contrasting lives of two Pakistani gay men in the UK
-
Shakespeare’s Globe stages Brecht for the first time. Michelle Terry is commanding in a production that feels urgently, uncomfortably current.
-
Review: The stage adaptation of Zanib Mian’s Planet Omar captures the joyous yet complex life of an eight-year-old British Pakistani boy
-
Review: The Harder They Come returns to Theatre Royal Stratford East, vibrant performances and music celebrate Jamaican culture and its global impact.
-
Review: 1536, three Tudor women in an Essex field watch a queen fall. Fierce, funny, and devastating.
-
Review: Take Note Theatre’s 1940s reinterpretation of HMS Pinafore at the Tabard Theatre captivates with charm, wit, and exceptional performances
If you have suggestions or would like me to review something, please email contact@redbuslondinium.uk