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Review: Kadimah’s Yentl at Marylebone Theatre authentically revives Singer’s story, exploring gender and faith with contemporary relevance and emotional depth.
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Review: Welcome to Pemfort, a new play by Sarah Power. A pretty gift shop hides a much darker story with no easy answers.
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Review: The 2026 Waitress UK tour celebrates its tenth anniversary, featuring Carrie Hope Fletcher as Jenna at various theatres across the country.
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Review: Choir Boy at Stratford East compellingly explores identity and legacy through music and drama, delivering a powerful, moving theatrical experience.
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Review: “Squidge,” Tiggy Bayley’s powerful debut play celebrates teaching assistants, capturing the complexities of the UK education system with poignant accuracy.
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Review: Robert Hastie’s production of Gorky’s Summerfolk at the National Theatre revitalises its themes of privilege and disillusionment, resonating powerfully today.
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Review: Ancient Grease at The Vaults merges Greek mythology with Grease, offering camp entertainment despite its distracting writing and extended length.
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Review: Mythos: Ragnarök at Alexandra Palace fuses Norse mythology and professional wrestling, captivating audiences with its energetic performances and emotional depth.
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Review: Children of the Night is a vibrant, intimate exploration of 90s Doncaster, blending personal stories with communal resilience and nostalgia.
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Review: Iron Fantasy at Soho Theatre humorously explores female strength through whimsical performances, showcasing resilience and vulnerability amidst a critique of gym culture.
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Review: Russell Maliphant’s “Landscapes” at Sadler’s Wells East features compelling solos like “AfterLight” and “Two,” blending masterful movement, light, and music.
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Review: Pina Bausch’s Sweet Mambo, now in London, masterfully blends movement, emotion, and storytelling, showcasing the profound impact of her Tanztheater.
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Review: Spin Cycles is a poignant, humorous one-woman show exploring grief and wellness culture, resonating deeply with communal experiences and personal trauma.
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Review: Maggots at the Bush Theatre explores the hidden human cost of urban neglect, revealing the fragile connections between community and storytelling in contemporary society.
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Review: Bigre “FishBowl” at Sadlers Wells offers intelligent physical comedy and sharp social satire, capturing relatable awkwardness through clever characters and intricate scenography.
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Review: FRIENDS! The Musical Parody blends nostalgia and comedy but falters in balancing tribute and satire, appealing largely to devoted fans.
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Review: Sadler’s Wells presents a vibrant Caribbean-inspired remix of A Christmas Carol, showcasing dynamic choreography and a fresh narrative twist.
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Review: Sunny Afternoon at New Wimbledon Theatre celebrates the Kinks’ legacy, blending captivating music with the band’s complex story for an engaging experience.
If you have suggestions or would like me to review something, please email contact@redbuslondinium.uk
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