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Review: Coral Wylie, a founding member of the Bush Theatre’s Young Company, both writes and performs in “Lavender, Hyacinth, Violet, Yew,” a World Premiere exploring the complexities of family life and queer identity. Through the story of Pip and the late Duncan amidst the AIDS epidemic, it captures generational connections and the challenges of acceptance.
Review: Kenrex at the Southwark Playhouse is part concert, part true crime podcast and part play. It is largely a one-man-show (Jack Holden), enhanced by on stage music (Jack Patrick Elliott) and sound recordings (Giles Thomas). Written by Holden and director Ed Stambollouian and subtitled “A True Crime Thriller”, it is a riveting, adventurous, genre-bending…
Review: “Mrs President” at Charing Cross Theatre offers an intimate yet perplexing portrayal of Mary Todd Lincoln, depicted through confusing narrative choices. Despite strong performances and set design, the show struggles to present a coherent view of Lincoln’s character, leaving her reputation largely unexplored and muddled by distracting elements.
Review: Oedipus at the Old Vic presents a modern retelling of the classic tale, incorporating contemporary dance that captivates but occasionally misaligns with the narrative. While some performances shine, others lack emotional depth, leading to an overall disjointed experience.
Review: Stalled,” a new musical at the King’s Head Theatre, explores the complex relationships between mothers and daughters set in a Seattle ladies’ room. Although the cast, led by Lauren Ward, is strong, the plot feels overcrowded, with timeline inconsistencies and overuse of strong language detracting from its impact. Improvements could enhance its future.
Review: …blackbird hour directed by malakaï sargeant, is a poignant play that explores mental illness through the character Eshe, portrayed by Evlyne Oyedokun. With powerful performances and innovative staging, it highlights the impact of mental health struggles on individuals and their supporters. The production offers a challenging yet vital viewing experience.
Review: Pig Heart Boy, currently at Unicorn Theatre before its national tour, is based on Malorie Blackman’s acclaimed book. Adapted for the stage, it follows 13-year-old Cameron, who faces life-changing decisions regarding a pig heart transplant. The production tackles themes of ethics and integrity, offering thought-provoking content for a youthful audience.
Review: Mean Girls is a high school musical drama exploring the universal struggle to fit in, inspired by Tina Fey’s 20-year-old film. The Broadway musical, which opened in London in 2024, features vibrant staging and costumes. Praised for its strong performances, it recently won Best New Musical at the 2025 What’s On Stage awards.
Red Bus Londinium Life 