Review: Spin Cycles at Camden People’s Theatre is a poignant one-woman show by Jamie-Lee Money, exploring themes of family trauma and adult vulnerability through humor and satire. Set in a spin studio, it intertwines personal grief with relatable anxieties, prompting audiences to reflect on their own life experiences. The performance is lively, engaging, and deeply…
“FishBowl,” a Molière Award-winning comedy, showcases a masterful blend of physical humor and social commentary. Co-written by Pierre Guillois and others, the production emphasizes exaggerated mime while incorporating sound selectively. The clever set design enhances comedic risk, making everyday interactions humorously relatable, despite occasional overindulgence in toilet humor. Audiences will relish its sharp observations.
Review: FRIENDS! The Musical Parody attempts to blend parody with tribute but struggles to find a clear direction. While performances are solid and visual design is effective, missed satirical opportunities detract from its impact. Ultimately, it serves as a nostalgic experience for devoted fans but lacks broader appeal or comedic depth.
Review: Sunny Afternoon at New Wimbledon Theatre captivates Kinks fans with its heartfelt storytelling and musical craftsmanship. While not revolutionary in the jukebox musical genre, it effectively explores the band’s complex family dynamics and career challenges. Strong performances and a nostalgic atmosphere ensure an enjoyable experience, celebrating the enduring charm of the Kinks.
Review: After Sunday, a poignant debut play by Sophia Griffin at the Bush Theatre, explores the lives of three Black men in a psychological care system, highlighting their struggles and the impact of systemic issues. Through Caribbean cooking, the characters seek healing amidst profound challenges, offering moments of hope and connection.
The Ecstasy of Hedy Lamarr, currently at the New Wimbledon Theatre, explores the life of the actress and inventor whose groundbreaking work in technology remains under-recognised. With compelling performances and innovative elements, it brings Lamarr’s inspiring story to contemporary audiences.
Review: Not Your Superwoman at the Bush Theatre captivates audiences with its poignant portrayal of a Guyanese immigrant family’s generational struggles. Strong performances by Letitia Wright and Golda Rosheuvel, coupled with skilful direction, create a relatable, engaging experience that deserves a West End transfer.