Red Bus Londinium Life

REVIEW: Ancient Grease, VAULTS WATERLOO

By swapping Rydell High for Mount Olympus, Ancient Grease transforms Danny and Sandy into the bickering Zeus (Peter Camilleri) and Hera (Philippa Leadbetter). This energetic mash-up at the iconic Waterloo tunnels of The Vaults blends Hellenic legend with the 1978 cinematic classic, proving that the social pecking order of American teenagers mirrors the petty hierarchies of the gods quite effectively.

It is disappointing, then, that this much-anticipated return to in-house programming at The Vaults is tripped up by its own writing. Instead of utilising its ribald humour to sharpen the satire, Lady Aria Gray’s script allows the bawdiness to become a distraction. Further twists to the tale lead to a messy, confusing and drawn out end.

Nothing says “fringe London theatre” quite like that distinct blend of damp railway arch and historical dust that wafts as one enters the venue. Once inside, the audience is immersed in the action in the long traverse space. The use of stairs at one end and the bar at the other are effective, though some may find themselves craning around others to see.

While the show is billed as an immersive experience, this tends to constitute the cast simply talking to certain audience members rather than offering a fully participatory world. That said, those engaged by the performers did all seem to enjoy the interaction, which added a layer of spontaneous energy to the subterranean setting.

The production’s technical elements are a mixed bag. Caitlin Mawhinney‘s costumes, a blend of 50s “Pink Ladies” capes and Ancient Greek togas, work visually from a distance but, up close, seem to lack the durability for a long run. By contrast, the clever and appealing chariots add a touch of flair and humour that audiences will love from a parody.

Musically, the show leans on the familiar songs we love from the movie Grease, presented in almost recognisable form by Corin Buckeridge‘s team. Due to copyright, they are not exact replicas, and a desire to include every number makes for an overly long show.

Lucinda Lawrence‘s choreography is a particular highlight, capturing the Newton-John and Travolta flair when the ensemble performs together.

Ultimately, Ancient Grease is best suited for those seeking a camp, high-energy night out in one of London’s most unique venues. If you are a fan of irreverent parodies and don’t mind a script that prioritises raunchy humour over narrative polish, there is plenty of fun to be found under the arches.

[Thank you to Flavia Fraser-Cannon who provided gifted tickets in exchange for an honest review.]

Ancient Grease continues at The Vaults until 31st May.

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